主演：提莫西·查拉梅,罗伯特·帕丁森,本·门德尔森,乔尔·埃哲顿,迪恩-查尔斯·查普曼,莉莉-罗丝·德普,西恩·哈里斯,托马辛·麦肯齐,汤姆·格林-卡尼,爱德华·阿什利,安德鲁·哈维尔,尼克·威特曼,斯蒂文·埃尔德,菲利普·罗施,罗德里克·希尔,约翰·泰勒,塞德里克·西拉泰尔,艾培德·安托利克,Ivan,Kaye,Jack,Bandeira
导演：大卫·米奇欧德
简介：蒂莫西·柴勒梅德将加盟新片[兰开斯特之王](The King，暂译)，出演男主角年轻的亨利五世。亨利五世为英格兰兰开斯特王朝国王，在他短暂的九年统治期间，他取得了中世纪任何一位英格兰国王都未取得过的军事辉煌。本片由布拉德·皮特公司Plan B制作，大卫·米奇欧德([动物王国])执导，米奇欧德也将与乔尔·埃哲顿担任编剧，计划6月开机。
主演：贝蒂·戴维斯,琼·克劳馥,维克多·布鲁诺,韦斯利·阿迪,安妮·巴顿,玛乔丽·本尼特,伯特·弗里德,安娜·李,梅迪·诺曼,戴夫·威洛克
导演：罗伯特·奥尔德里奇
简介：宝贝·珍妮·汉德森（贝蒂·戴维斯 Bette Davis 饰）曾是风靡一时的童星，整个汉德森家都依靠她的收入过活，这使她的性格变得日益扭曲和跋扈。比起珍妮，作为姐姐的布兰奇·汉德森（琼·克劳馥 Joan Crawford 饰）不过是一只不足挂齿的丑小鸭，不仅妹妹对自己视若无睹，就连父亲对她都大呼小叫态度恶劣，忍气吞声的布兰奇在心中埋下了仇恨的种子。成年后的姐妹两地位发生了逆转，珍妮的愚蠢和怪癖让她逐渐过气，而颇有姿色的布兰奇倒是在演艺圈获得了空前的成功，尽管布兰奇处处提携珍妮，但珍妮无法平衡内心的落差，总是想方设法和姐姐作对。一场突如其来的车祸使得布兰奇永远失去了双腿，珍妮也因此变得疯疯癫癫，布兰奇想把珍妮送进医院，珍妮却想消抹布兰奇的存在，彻底的取代她的位置。最亲近的两个女人在一处隐秘的别墅里开始了相互折磨的生活，而在这生活之下，似乎还隐藏着什么不可告人的秘密。
主演：车银优,朴珪瑛
导演：金大雄
简介：漫画今天也很可爱的狗确定翻拍成韩剧，预计下半年开机拍摄，编成未定，现在选角ing此剧讲述了每到凌晨就变成狗，想要解开诅咒的女人和一个怕狗的男人之间发生的推拉爱情故事。由《今天也启动》的大雄导演执导，《流耳血的女人》的白仁雅编剧执笔，由我的ID是江南美人，模范出租车，花样男子的制作公司制作。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：松田优作,藤谷美和子,小林薰,笠智众
导演：森田芳光
简介：20世纪初的日本，毕业于东京帝国大学的长井代助（松田优作 饰）家境优渥，全然不曾为金钱烦恼。他终日周游玩乐，过着悠闲自在的高等无业游民的生活。与之相对，和长井相交多年的好友平冈常次郎（小林薰 饰）生活拮据，妻子三千代（藤谷美和子 饰）孕期患上心脏病，未出生的孩子更不幸夭折。承受巨大压力的平冈破罐破摔，流连烟花场所。生计日益紧迫的同时，夫妻情分名存实亡。三千代是长井、平冈大学时代亡友菅沼（风间杜夫 饰）的妹妹，此去经年，始终未婚的长井依然对三千代持有深深的爱慕，他同情对方的境遇，但碍于道德的束缚只能将炽烈的情感深锁心底。深爱无缘，百千心结何处搁置……本片根据夏目漱石的同名原作改编。
主演：迈克尔·恩奎斯特,弗里达·霍尔格伦,海伦·修荷姆,,伦纳特·杰凯尔,英格拉·奥尔森,尼克拉斯·福尔克,皮尔·姆贝格,伊娃·卢夫,安德烈·舍贝里,米卡尔·拉姆,芭布萝·寇勒贝,阿克塞拉·阿克塞尔,拉塞·彼得森,乌拉-布里特·诺曼-奥尔森,米尔卡·克里森,克里斯蒂娜·托维斯
导演：凯·波拉克
简介：丹尼尔（迈克尔·恩奎斯特 Michael Nyqvist 饰）是一名指挥家，专业技能出色的他在全世界范围内享有着极高的声誉，随着时间的流逝，他的身体渐渐的开始无法支撑他对音乐的热情，一次突然来袭的心脏病迫使他永远的告别了舞台。为了养病，丹尼尔回到了久违的家乡，在那里，他成为了教堂唱诗班的指挥。工作上的停顿让丹尼尔十分沮丧，但在风景如画的家乡里，他找到了新的人生意义。同时，对于村民们来说，丹尼尔的到来和他所带来的对于音乐的热情和执着，也让这个平静的小镇熠熠生辉。该片于2005年提名了第77届奥斯卡金像奖的最佳外语片，这也是瑞典影片第14次以奥斯卡提名片的身份出现在人们的眼前。
主演：吕颂贤,苏志威,汤宝如,骆英均,关映壁,杜大伟
导演：吕嘉华
简介：杀人重犯——欢姐逃狱了！一班潜伏已久、令人闻风丧胆的劫匪打算联手再度行劫！.....一连串消息使警方紧急部署追捕工作。CID李兵接到任务唯有暂时放弃跟吴辉师傅学习功夫。吴辉心里纳闷小齐和李兵两师兄弟为何同时没来练习......接获线报，警方集中大批警力布下天罗地网等待欢姐众匪的自投罗网......李兵在围捕行动中与众匪展开激烈枪战，一身手极好的劫匪从李兵手中逃脱，李兵与之交手时发现其身手似曾相识，此时乌黑的枪口已指着他的头......对手是谁？能否将欢姐伏法能否将众匪打尽？黑白间演绎人性！正邪对决即将展开
主演：雷鸣,王滨雁,方青卓,宫让,谭元元
导演：张景隆
简介：剧作家苏雨写的剧本《奋斗者》上演后，受到社会舆论的批评。他决定到生活中去调查研究，以证是非。在某法院，院长介绍他认识了审判员解稼芬，并让他以人民陪审员身份参与调解一起正在审理的离婚案。要求离婚者是中年雕塑家莫磊。莫磊的妻子叫池波，她在病床上含泪向苏雨诉说了他们家庭的变化：她和莫磊是雕塑系的同学，彼此相爱，曾发誓要以屈原的《九歌》为题材，雕塑出永留人间的艺术群像。她爱莫磊，更爱他的艺术才华，她承担起全部家务劳动，支持丈夫专心致志地进行创作。哪知莫磊成名后另寻新欢，家庭悲剧给池波带来无限的痛苦，但苏雨看到，他面前这位瘦弱的女性虽承受着不幸，却带着孩子坚强地挣扎着、奋斗着，并一心雕塑少年保护神--少司命，以实现年轻时和莫磊一起许下的诺言。苏雨还了解到第三者叫宁莉莉，是莫磊的学生和热情助手。她明知莫磊有妻子孩子，但并不认为自己的行为有什么错误，因为她对爱情有自己的观点，认为爱情不应该受什么条约和义务的约束。然而人们看到宁莉莉在她纺织的情网中很少有欢乐的时候。她忧虑地期待着莫磊，而莫磊又有难言之隐，始终没有答应她的要求，这使狂热的宁莉莉感到失望和伤心。法院的态度，道义的谴责，孩子的呼声，使他们双方陷入了痛苦的深渊。最后在解稼芬和苏雨的帮助下，尤其当池波从雕塑架上摔下，女儿因找爸爸落入湖中时，他们的感情受到强烈震动。莫磊悔悟了，带着愧疚的心情到医院看望了病中的妻子，宁莉莉终于发现此路不通，背上画夹，离开城市，走向新的生活。在审理这一案件中，苏雨本人实际上也是个被审者，因为在爱情和家庭问题上，他和莫磊在走着同一条路，所不同的只是远近而已都有了新的认识。他决心重新写一个剧本，并在家庭生活中弥补自己的过失。他意识到了一个作家的社会责任，一个丈夫对妻子、对女儿的家庭责任。他毅然否定了《奋斗者》，并陪同妻子到剧院观看了自己的新作《再塑一个我》。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡。鬼使神差的，像进入一个游戏世界一样，他决定用这个人的身份，为自己找一份工作，找一个地方栖身，并且不希望回到过去的生活。在他的这种新生活里，在可能的状态下，在没有目的的情况下，这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观，他用自己最基本的本能，试图领悟他对生活的理解。对他来说，他选择什么生活，他为什么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最佳女演员奖，该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：徐帆,张婧仪,许亚军,张歆艺,陈明昊,吴彦姝,李程彬,韩云云,赵晓苏
导演：赵天宇
简介：妈妈季佩珍（徐帆 饰）是这个家的灵魂所在，她像有分身术一样能照顾到每一个人。在她的面面俱到之下，这个家看上去井然有序，然而事实并非如此。在妈妈季佩珍眼里女儿李小美（张婧仪 饰）永远都是最优秀的，却不知在北京工作生活的她还有另一面。女儿对妈妈的掌控有多抵触，季佩珍更是不了解。医生丈夫李文舫（许亚军 饰）因几年前的一次失误，至今还无法拿起手术刀。婆婆患有阿尔兹海默症，生活都无法自理……就在身为教师的季佩珍刚刚退休，似乎能松一口气多拥有些自己的时间，却被查出了恶性肿瘤四期。如果妈妈只剩下四个月的生命，这家人的生活又该如何继续下去呢？
主演：市原隼人,忍成修吾,伊藤步,大泽隆夫,市川实和子,稻森泉,苍井优,松田一沙,胜地凉,马场乔子,伊藤友树,郭智博,笠原秀幸,冈村麻纯,杉本哲太,田中要次,樋口真嗣,细山田隆人
导演：岩井俊二
简介：莲见雄一（市原隼人 饰）与母亲、继父、弟弟生活在一个幽静的小城里。他跟同班同学星野修介（忍成修吾 饰）同在剑道部，两人成为好朋友。星野本来是一个品学兼优的学生，却遭到了同学的嫉妒。当暑假时一群同学自冲绳回来以后，星野变了一个人似的。接着星野开始以欺负同学为乐，而且手段残忍，雄一也不能幸免。雄一性格孤僻，喜欢歌手莉莉周，在自己建立的莉莉周论坛上他认识了一个叫“青猫”的人。雄一与青猫都过着不容易的生活，两人互相鼓励，并约定在莉莉周的演唱会上见面，“青猫”的出现令雄一十分惊讶。
主演：刘青云,林熙蕾,阎清,谷祖琳,曾雅琪,黄文慧
导演：韦家辉
简介：1998年11月11日，汤有亮（刘青云 饰）一家游玩途中遭遇严重车祸，汤当场身亡，妻子程希文（林熙蕾 饰）和一双儿女侥幸逃生，只是女儿汤乐儿双眼从此失明。转眼十年过去，时间并未治愈汤氏一家心中的创伤，他们久久沉浸在失去丈夫和父亲的悲痛之中。乐儿（阎青 饰）不愿母亲继续折磨自己，她尝试着将一家人的经历写成小说，而书中的情节和现实截然相反。在小说里，乐儿和母亲、弟弟死于车祸，父亲则活了下来，成为一个由菲佣照顾起居的盲人。父亲相信鬼魂的存在，时刻期盼与妻儿重逢。死去的乐儿在另一个世界当上了小孟婆，她利用手中的职权让母亲和弟弟重新回到父亲身边。汤和妻儿心照不宣地享受着失而复得的幸福生活……乐儿的小说让母亲的脸上绽放出久违的笑容，一家人的生活终于步上正轨，然而一场残酷的灾难不期而至……
主演：王长虹,柏青,赵毅维
导演：崔守杰
简介：出品单位 格格府（天津）影视文化发展不愿意麻烦儿女的老母亲只得自己流落街头，这时，老大不慎从山上摔了下来，就在他正为钱发愁的时侯，却被告知医药费已经有人付过了，夫妻二人面面相觑，但不久，此事也不了了之。一日，崔大喇叭遇到了要饭的老母亲，就好心的把他接回了家，最后在老母亲生命的弥留之际，子女们才通过崔大喇叭知道了事情的真相，原来古董是真的，母亲卖了古董给老大交的手术费，并且还给他们留下了遗产，子女们为自己所做的一切后悔莫急。但是“子欲养而亲不待啊，世上唯有孝顺不可等待，趁父母还在”。但是一切都已经无法挽回，最后，老人在孩子们面前微笑着离开了人间……
主演：李清娥,洪宗玄,朴庆惠,李惠兰,朴智彬,朴智一,吴贤重,金诺珍,朴昭怡,金周灵,朴成俊,金民尚,金仁权,金英在
导演：郑用柱
简介：恩祖（李清娥 饰）和女儿过着相依为命的生活，然而，一场可怕的事故将这她生命里唯一重要的东西也给夺走了，女儿的离开让恩祖彻底丧失了对于生活的热情和信心。这一天，当恩祖从睡梦中醒来时，本以为又将迎来绝望的一天的她震惊的发现，时间竟然倒流回了前一天。从这一天起，恩祖每一天起床，都会发现时间倒退了一天，这诡异的现象反而给予了恩祖希望。这一天，恩祖遇到了一个名叫浩民（洪宗玄 饰）的男人，很显然，这个男人和发生在恩祖身上的奇怪现象有着千丝万缕的关联。恩祖能否抓住这唯一的机会，让自己的生活重回正轨呢？
主演：内详
导演：李娴娟
简介：电影名《兵演兵》导演：李娴娟(总) 王程帆 李希强 周刚 郭谨良主演：地区：中国大陆分类：戏曲片上映：1991年1月1日纪录了中国人民解放军1990年全军业余文艺汇演的部分优秀节目，其中有南京军区的，总参、二炮、兰州军区代表队合演的唢呐三重奏《朝阳沟》选段，总后的女声独唱《唐古拉的风》，成都军区的舞蹈，北京军区齐海霞的女声独唱《兵之歌》。沈阳军区郭其富、李智敏的对口相声《接雷锋》。海军代表队的歌伴舞《山里来的水兵》，南京军区的表演唱《咱们的马连长》，总参王红涛的女声演唱《南腔北调》，广州军区的相声《文明值勤》，二炮的表演唱《我跟祖国一二一》，总后的表演唱，二炮的《电视管理员》，总参的女声二重唱，北京军区的男声二重唱，总参的独舞《工地...本台记者报道：昨天（10.22）上午，省会“征兵宣传日”活动在人民广场举行。1000多名适龄青年及家长和各界群众前来咨询今年的征兵政策和条件。省军区政委张连仁少将在活动仪式上讲话。他说，依法服兵役是《宪法》赋予每位公民的光荣义务，广大适龄青年要积极响应祖国召唤，踊跃报名应征。广大家长要以国家利益为重，舍小家、顾大家，积极支持子女参军入伍、报效祖国。市委书记、市长、市征兵工作领导小组组长吴显国表示，征兵工作是加强国防和军队建设的基础工程，必须站在加速推进社会主义现代化的历史进程，构建社会主义和谐社会，实现中华民族伟大复兴的高度，全力以赴地做好征兵工作。吴显国指出，各级政府要加强组织领导，兵役机关要充分发挥职能作用，有关部门要积极配合，为征兵工作提供强有力的组织保证。要采取多种形式，迅速掀起征兵宣传的高潮，大力营造“国防义务、人人有责”、“一人参军、全家光荣”的良好氛围，激励广大适龄青年的参军报国热情。活动之后，军地文艺工作者同台表演了舞蹈《兵演兵》等精彩的文艺节目，省、市军地领导向适龄青年发放了征兵宣传资料。
主演：约瑟夫·费因斯,黛安·克鲁格,丹尼斯·海斯伯特,Patrick,Lyster,Shiloh,Henderson
导演：比利·奥古斯特
简介：故事发生在1968年的南非，严格残酷的种族隔离制度让在那里生活着的两千五百万黑人面临着悲惨的命运。为了维护种族的权利，一部分黑人们奋起反抗，但等待着他们的结局不是驱逐出境就是被关押在罗宾岛监狱之中。詹姆斯（约瑟夫·费因斯 Joseph Fiennes 饰）就出生在这样恶劣的局势之中，幸运的是，他是一位不折不扣的白人。从小大人们就向詹姆斯灌输着“黑人低人一等”的荒谬概念，成年之后，已然完全被洗脑的詹姆斯成为了罗宾岛监狱的一名看守，而他所看管的囚犯正是南非的民主斗士曼德拉（丹尼斯·海斯伯特 Dennis Haysbert 饰）。随着时间的推移，对黑人们越来越了解的詹姆斯开始对自己的所作所为产生了质疑——难道白人就真的可以这样理所当然的囚禁和侮辱自己的同胞吗？
主演：方伟杰,蔡承峻,李光明,林圣宇,黄汉斌,吴国江,朱厚任,那广子,王朔,朱颜曼滋,陈传之
导演：郑斌辉
简介：少年篮球好手碰上高他一个头的对手。一个来自新加坡，一个来自中国。两人初次见面，八字不合，拼了命、一较高低；除了比身高比球艺之外，还有身份认同及社会归属感。少年之间，自然存在着竞争和互相排斥，但也从中培养深厚友谊。新加坡一位篮球界大腕，重金引进中国具备甲组球队水平、高素质的少年球苗，并安排所有球员接受为期两年的重点职业球员训练。他们立志要提高新加坡篮球水准，为篮球界注入新动力，希望能栽培出“下一个姚明”。一支新苗队，如何准备上场应战？适者生存的世界里，初生之犊怎么面对成年人的压力？ 不同背景、不同国籍的年轻人，经过三场激烈竞赛后，终于发现友情比战情和国情都更为可贵……本片改编自真人真事。
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